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Amanda Majeski to Debut at Washington National Opera on 2016/17 Opening Night

"Dignified and moving...a great showcase for her rich, resonant soprano." Amanda Majeski will bring her acclaimed Countess to The John F. Kennedy Center for the Performing Arts in Washington, D.C.

March 8, 2016

Amanda Majeski will make her Washington National Opera debut as the Countess in Mozart's Le nozze di Figaro on opening night of the 2016/17 season. 

The Kennedy Center production will complete a trilogy of opening night Figaro performances for Majeski, a run that began at the Metropolitan Opera in 2014 and continued at the Lyric Opera of Chicago in 2015.

Majeski will be joined by Lisette Oropesa as Susanna, Joshua Hopkins as Count Almaviva, Ryan McKinny as Figaro, and Aleksandra Romano as Cherubino, under the baton of James Gaffigan in a Peter Kazaras production.

Performances will run September 22 – October 2, 2016, with the September 24 performance simulcast to Nationals Stadium for the popular M&M’S Opera in the Outfield event.

More information >

Photo by Todd Rosenberg

Photo by Todd Rosenberg

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Public Relations Beth Stewart Public Relations Beth Stewart

Amanda Majeski Stars in Season Opener at Lyric Opera of Chicago

"Her tender and delicate singing approaches the transcendent." Amanda Majeski stars as the Countess in a new Barbara Gaines production of Le nozze di Figaro.

September 26, 2015

Photo by Todd Rosenberg

Photo by Todd Rosenberg

“Amanda Majeski’s Countess Almaviva proved the high point of the evening. She inhabited her role in such a way that its essence was illuminated, transcending the ludicrous stage business thrust upon her. Majeski exuded a radiant humanity that strongly recalled the late Elisabeth Soederstroem – and what a Jenufa or Katya Kabanova Majeski may prove to be! Her account of the fiendishly difficult “Dove sono” was notable for poise and polish, luminously sung and launched with a grandly phrased, deeply felt recitative. In a still young career, Majeski has moved from strength to strength.” GB OPERA MAGAZINE

Amanda Majeski returns to her home company, Lyric Opera of Chicago, as the Countess in their season-opening production of Le nozze di Figaro, a role that also served as her Met debut last season. Critics have praised her Countess as "transcendent," (Stage and Cinema) responsible for "some of the opera’s most moving moments and most exquisite singing." (Chicago Sun-Times)

The cast includes Luca Pisaroni as the Count, Adam Plachetka as Figaro, Rachel Frenkel as Cherubino, and Christiane Karg as Susanna. Conducted by Henrik Nánási, performances run through October 24, with tickets available on the Lyric's site.

Read reviews:

"Luca Pisaroni and Amanda Majeski are both fine Mozarteans... Majeski sings with her customary poise, her creamy soprano blending beautifully with that of German soprano Christiane Karg."
Chicago Tribune

"His adoring, long-suffering, elegant wife, Countess Almaviva is Illinois-born soprano Amanda Majeski. The Countess’ pain is dealt with comically early on as she gorges sweets on the gargantuan bed she once shared with her husband. But some of the opera’s most moving moments (and most exquisite singing) come when she recalls the joys of her earlier days of passion with the Count, and then, in a duet with Susanna, she dictates a love letter suggesting an assignation between Susanna and the Count."
Chicago Sun-Times

"Amanda Majeski sang “Porgi amor” with delicate but resonant pathos and fluid evenness across registers."
Chicago Classical Review

"Majeski’s soprano is both luminous and ringing, and in the heart-breaking aria “Dove sono,” she moved convincingly from aching despair to a firm resolve to recapture the Count’s affection."
Musical America

"From one of the evening’s first gestures – Amanda Majeski, stately as the Countess, pulling the curtain down instead of letting it rise – one knew that this production would play up the opera’s mischievousness no less than its spectacle. But the Versailles bordello aesthetic that runs through much of this production’s visual style didn’t come close to overshadowing the vocal talent, which is very strong. Majeski’s trilling vibrato is most distinctive..."
Bachtrack

"Pisaroni is well-matched by Amanda Majeski, whose noble heart redeems her wayward husband. Her tender and delicate singing approaches the transcendent, from the poignant solo aria “Porgi amor” to the breathtaking duet “Sull’aria” (with Christiane Karg)."
Stage and Cinema

"Amanda Majeski’s Countess Almaviva proved the high point of the evening. She inhabited her role in such a way that its essence was illuminated, transcending the ludicrous stage business thrust upon her. Majeski exuded a radiant humanity that strongly recalled the late Elisabeth Soederstroem (and what a Jenufa or Katya Kabanova Majeski may prove to be!). Her account of the fiendishly difficult “Dove sono” was notable for poise and polish, luminously sung and launched with a grandly phrased, deeply felt recitative. In a still young career, Majeski has moved from strength to strength, justifying Lyric Opera’s confidence in its former Ryan Opera Center member."
GB Opera Magazine

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