Verismo News
San Francisco Opera releases Eun Sun Kim: A Journey into Lohengrin, a documentary on the company’s music director and what it takes to produce an opera, featuring behind-the-scenes footage and interviews with the cast, crew, and orchestra.
OPERA America announces the induction of composer and mentor Jake Heggie into the Opera Hall of Fame, which recognizes the achievements of outstanding living American artists, administrators, and advocates who have strengthened the art form and the field.
San Francisco Opera announces that music director Eun Sun Kim will extend her contract through the 2030-31 season, including plans to lead new productions of Wagner’s Der Ring des Nibelungen and Verdi’s Parsifal.
Seattle Opera presents the world premiere of Jubilee, a new opera by visionary writer and director Tazewell Thompson about the Fisk Jubilee Singers.
Wolf Trap Opera presents a cinematic new production of the Pulitzer Prize-winning Silent Night, the first opera by composer Kevin Puts, directed by Ryan and Tonya McKinny.
Des Moines Metro Opera presents the world premiere of American Apollo, a new opera by Damien Geter and Lila Palmer that explores the relationship of society painter John Singer Sargent and Black model Thomas Eugene McKeller.
Lidiya Yankovskaya leads Puccini’s Il Trittico in her debut at Opera Australia. Under her baton, three Australian directors come together to present the premiere of this bold new production.
Conductor Eun Sun Kim is featured on the cover of Arte Magazine following her recent performances with the Seoul Philharmonic Orchestra.
Music of Remembrance celebrates its 25th Anniversary with a three-city world premiere tour of Before It All Goes Dark, a new opera by Jake Heggie and Gene Scheer based on reporting by legendary Chicago journalist Howard Reich in the Chicago Tribune.
Librettist Lila Palmer, newly appointed General and Artistic Director of New Orleans Opera, has been named one of New Orleans Magazine’s Top Female Achievers making change for good. She speaks with the magazine about her broad creative background, her family’s move to NOLA, and her plans for the company.
Eun Sun Kim makes her highly anticipated Berlin Philharmonic debut following an epic string of orchestral engagements including debuts with the New York Philharmonic, Orchestre symphonique de Montréal, and London’s Philharmonia Orchestra.
Conductor Lidiya Yankovskaya is featured on the cover of Opera Now magazine following her highly acclaimed leadership of English National Opera’s Duke Bluebeard’s Castle and ahead of her departure as Music Director of Chicago Opera Theater.
Music of Remembrance premieres Phoenix, a new musical work about the women’s rights crisis in Iran, written by the Iranian American creative team of composer Sahba Aminikia and librettist Zara Houshmand. BBC Persian flew out to cover the performance.
Lidiya Yankovskaya spoke with The Sunday Times about prejudice, parenting, and the potential future of English National Opera, ahead of her acclaimed return to ENO for Bluebeard’s Castle.
Out of more than 250 applicants, 21 exceptionally promising pre-collegiate musicians with demonstrated need were chosen by From the Top to receive up to $10,000 each. Jack Kent Cooke Young Artist Award funds are made available for instrument purchases, summer camp tuition, college audition expenses, private lessons, and other music-related needs.
Tenor Russell Thomas is featured on the cover of Opera Now magazine ahead of his role debut as Parsifal with Houston Grand Opera and the world premiere of Fire and Blue Sky, written for Russell by Emmy Award-winning composer Joel Thompson, at LA Opera.
Conductor Lidiya Yankovskaya’s seven-year run at Chicago Opera Theater is featured in The Reklama and Chicago Tribune.
Eun Sun Kim is profiled in Le Figaro Magazine ahead of her Parisian performances conducting at the Palais Garnier and Opéra de la Bastille.
Conductor Eun Sun Kim is featured on the cover of Opera Now magazine ahead of her Opéra national de Paris debut and the Callas Centenary Gala.
Created in collaboration with Jawole Willa Jo Zollar and Gene Scheer, Intelligence is Jake Heggie’s 10th full-length opera. The work is believed to be the first grand opera in which words, music, and dance are equally vital to the storytelling. Houston Grand Opera commissioned and premiered Intelligence, which was previewed in Opera Now, The New York Times, Houston Matters, Houstonia, San Francisco Chronicle, and BBC Music Magazine.
Jamie Barton realized a long-held dream this fall, creating a role in the world premiere of Jake Heggie’s newest opera, Intelligence, at Houston Grand Opera. She spoke with Opera Now, Opera News, San Francisco Chronicle, Houston Matters, Houstonia, and Houston Life about this unusual work, which has three female leads.
Music Director Eun Sun Kim has officially launched the Wagnerian portion of her multi-year Verdi-Wagner initiative at San Francisco Opera with Lohengrin. The four-and-a-half-hour epic starred Simon O'Neill, Julie Adams, Brian Mulligan, Kristinn Sigmundsson, and Judit Kutasi.
Superstar violinist Joshua Bell is touring a new commission by Jake Heggie. His “Fire,” part of The Elements concerto, is opening orchestra seasons around the world, including at the New York Philharmonic, Hong Kong Philharmonic, and Hamburg’s Elbphilharmonie.
Dead Man Walking made its long-awaited Metropolitan Opera premiere, opening the 23/24 season in a star-studded new production gala. Since its world premiere in 2000, Dead Man Walking has become the most-performed opera of the 21st century, with particular praise for Jake Heggie’s music and the libretto of late Tony Award-winning playwright Terrence McNally. Jake spoke with press outlets around the world – including Nightline, The New York Times, Associated Press, Financial Times, Air Mail Magazine, Opera News, Opera Magazine, BBC Music Magazine, and San Francisco Chronicle – about this career-defining moment.
Ryan McKinny wowed in a star turn opposite Joyce DiDonato in the Metropolitan Opera’s Dead Man Walking. Ryan spoke with top-tier print and television journalists – including The Times, Nightline, Agence France-Presse, and The New York Times – about the work, his collaboration with Equal Justice USA, and an opening-night look inspired by his personal connection to the subject matter.
Ahead of a jam-packed fall slate, composer Jake Heggie appeared on the covers of Opera Magazine and Opera News, with additional profiles in BBC Music Magazine, San Francisco Chronicle, Financial Times, Barron’s, and Classical Voice North America.
American mezzo Jamie Barton graces the cover of two classical music magazines this fall: Opera Now in the UK and Opera News in the States.
Following a kickoff performance at Carnegie Hall, tenor Russell Thomas joined the MET Orchestra in their first international tour in more than two decades, bringing his Otello to audiences in London, Paris, and Baden-Baden.
Eun Sun Kim and the National Brass Ensemble have released Deified, a new album showcasing brass music's exceptional coloristic and expressive range. The Pentatone release features world premiere recordings by Jonathan Bingham and Arturo Sandoval and Timothy Higgins’s The Ring, a virtuosic recomposition of Wagner’s Der Ring des Nibelungen scored for brass ensemble.
As The New York Times writes, SFCM has “emphasized risk-taking and an expansive view of the field.” Deeply committed to cultivating a sense of entrepreneurial spirit among its student body, SFCM will now expand its culture of exploration with rapid-fire programs designed to empower arts professionals.
The organization will commemorate a half-century of opera’s progress with a variety of initiatives, including an Opera Hall of Fame, Oral History Project, and a series of national events. It will also rally members of the opera industry to participate in a national promotional campaign, #meetopera, to inspire curiosity in the art form.
Chicago Opera Theater “rides on a new wave, bringing a repertoire that ranges from grand spectacle to electric intimacy.” Now COT’s Vanguard Emerging Opera Composer Residency, which invites accomplished composers into the company for a two-year education in opera-specific skills, has been named the recipient of a $500,000 grant from The Andrew W. Mellon Foundation.
“Kim cultivated a rich, relaxed sound in the strings. Each phrase breathed, yet she also led with momentum, knowing just the right moment to push ahead.” The Korean maestra has just made important debuts in L.A. and Munich, as well as a hotly anticipated return to Cincinnati.
This season, Beth Stewart will share her vision for the industry in Ann Arbor, Michigan, Birmingham, Alabama, New York, New York, and Dallas, Texas.
“Naysayers accuse opera of resuscitating a permanent past. Here is where you can see the present.” Chicago Opera Theater’s Music Director is the classical highlight in Chicago Magazine’s Culture Issue.
“It began an obsession with classical music that turned her teenage alienation into a powerful sense of belonging to music and connection with its listeners, whoever they are and wherever they come from.” The American mezzo shares her most pivotal classical music memory with WQXR’s smash hit podcast, alongside Alec Baldwin, Wynton Marsalis, Eddie Izzard, Sam Mendes, and Jon Batiste.
"We are witnessing something rather remarkable. That moment an audience falls in love with a singer." Jamie Barton’s media blitz ahead of Last Night of the Proms included appearances on television, radio, national print media, podcasts, and digital and glossy magazines.
“In Barton’s hands, bi visibility got the diva treatment.” The activist mezzo talked to Slate about being an outspoken advocate for LGBTQ rights and body positivity, and what it means to queer the Proms.
“After thinking about what she really wanted to project to an audience of millions, she came to the conclusion that exhorting Britain’s naval hegemony wasn’t the only interesting message she could broadcast. “When I sat down with the BBC in October I told them, ‘You know, I can think of a flag that I can get behind. I’d really like to carry the Pride flag.’” The American mezzo tackles hot-button issues in this in-depth profile.
“Explorations shared in a spirit of generosity and intimacy.” From The New York Times and The New Yorker to Gothamist and Man Repeller, New York’s Resonant Bodies Festival was on everyone’s radar.
“Lidiya Yankovskaya has a passion for the new and for the neglected. She’s here for a Refugee Orchestra concert, she’s the Music Director of Chicago Opera Theater, and a whole host of other things that make me feel deeply inadequate.” Ahead of ROP’s London debut, Artistic Director Lidiya Yankovskaya got the word out.
“I would never dream of telling a singer, ‘Hey, you should do this specific piece. I want to hear you do that piece.’ Because you’re only going to get the second-best thing from a singer that way, I think. But if you ask a singer, ‘What do you love to sing? What lights you up? Right now?’ Then things feel urgent. I want to hear your urgent music.'” The founder of the Resonant Bodies Festival discusses the art and science behind the voice.
“I’m interested in building relationships with those houses, like San Francisco, who are doing really good work, but also trying to be inclusive in terms of who they hire as well as who they market to. That is a direction opera needs to go in to stay relevant and viable.” From witches and Wagner to women championing body positivity, this star mezzo-soprano talks all things opera with Classical Music Magazine.
“Those who embark on this path can foster creativity and collaboration, open doors that may otherwise remain closed, increase the number of voices represented, and ultimately move classical music toward a more viable future.” Lidiya Yankovskaya has penned a wide-ranging series on the evolving responsibilities of musical leaders.
"Virtuosic and sensual, capable of both power and nuance.” Verismo is proud to represent coloratura sensation Brenda Rae, who makes high-profile debuts at Teatro Real Madrid, Salzburg Festival, and the Metropolitan Opera this season.
“The Refugee Orchestra Project brings together musicians from all over the world and provides a space for refugees and immigrants to share their experiences through music.” Lidiya Yankovskaya’s work with her Refugee Orchestra project is the subject of a new CNN feature.
“Jamie Barton has an obvious affinity for strong, confident and outspoken women — both on and off the operatic stage. Perhaps that’s because, well, she’s one herself.” The American mezzo talks with Joshua Kosman about Ruth Bader Ginsburg, Carmen, and other fierce feminist role models.
Led by millennial women, Chicago Opera Theater is emerging from the recent leadership transition as a company laser-focused on living its values.
“In these divisive times, vocal support of refugees has become critical – and musicians are uniquely well-positioned to address this issue,” explains founder Lidiya Yankovskaya. “Our art form crosses linguistic and cultural boundaries, and so much of what we do is rooted in collaboration.”
"After only a single season in her new role, her musical presence has revitalized a company that had become a shadow of itself.” Lidiya Yankovskaya’s work at Chicago Opera Theater has earned her a coveted spot on Newcity’s Music45 list.
Designed to motivate the next generation of activists, the book features Lidiya’s work with Refugee Orchestra Project and highlights her as the only woman music director of a multimillion-dollar opera company in the United States.
“Everything from the highly characterized singing to the lush yet keenly honed reading of the score, under Kim’s baton, registers in a vividly visceral, emotionally penetrating way. Nothing feels or sounds gratuitous; just about everything, across three-and-a-half musically and dramatically absorbing hours, seems essential.” Eun Sun Kim’s house debut in San Francisco earns widespread critical acclaim.
“Aubrey Bergauer is the dynamic and innovative administrator whose five-year tenure as executive director of the California Symphony in Walnut Creek helped revitalize the orchestra’s audience base and bottom line…” The data-driven leader will launch a consultancy intended to replicate her game-changing strategies across a broad range of arts organizations.
Verismo Founder Beth Stewart joins Banff Centre for Arts and Creativity’s Opera in the 21st Century program as guest faculty this week.
Beth Stewart joined San Francisco Chronicle critic Joshua Kosman, Opera Philadelphia VP of Marketing & Communications Frank Luzi, and composer Niloufar Nourbakhsh in a panel discussion on the state of media and promotion in 2019.
“A festival suffused with purpose and ambition.” ResBods returns to Brooklyn’s Roulette Intermedium for its 7th annual festival this September 3-5, 2019. Featured artists include Kate Soper, Arooj Aftab, Anthony Roth Costanzo, and Charmaine Lee with guest artists Conrad Tao, Vijay Iyer, Wet Ink Ensemble, Ashley Bathgate.
The Burleigh Society and Urban Playground Chamber Orchestra co-production “landed with earth-shattering force.”
“Otello requires a dramatic tenor with a wide vocal range, the power to cut through heavy orchestration, and the skill to make the long, declamatory passages sing – ideally, a voice that marries Wagnerian stamina and Italianate beauty. Russell Thomas is one of them.” The American tenor’s staged role debut as Otello is met with critical acclaim across North America.
“She leads with great vision on the podium but also welcomes each and every person into the creative process, inviting them to do their very best work. The resulting art is spectacular.” Eun Sun Kim becomes the first woman to serve as Music Director of a Level 1 American opera company.