Jamie Barton Receives Raves on U.S./U.K. Tour
"She brought enormous power, rich colours and perfect intonation to the vocal line. This was highly emotional and yet beautifully restrained singing that really got beneath the skin of the music.” Jamie Barton's recent recital tour with pianist James Baillieu was 'ecstatically acclaimed' by audiences and critics alike.
October 23, 2016
“Barton has an excellent technique, evenly spanning a cavernous lower register and a gleaming top; her breath control is apparently effortless, she sings perfectly in tune. There’s something of Marilyn Horne about the silver sheen and focus of the tone, but the voice is bigger and broader than Horne’s, and more than capable of firing the big guns demanded by Verdi and Wagner. She is also a born communicator, smiley and chatty and radiating infectious pleasure in the glorious noise she makes.”
Jamie Barton's recital tour with pianist James Baillieu has been met with raves around the United States and United Kingdom, culminating in what The Telegraph dubbed an 'ecstatically acclaimed' Wigmore Hall debut in London.
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"Although winners of the prestigious BBC Cardiff Singer of the World competition have recently shown an alarming tendency to vanish without trace, the 2013 laureate Jamie Barton is clearly here to stay."
The Telegraph
“I remember watching Jamie Barton’s performances during the Cardiff Singer of the World competition in 2013 and I was impressed with the amazing consistency she demonstrated through a wide range of repertoire. In Barton’s Wigmore Hall début, her operatic credentials were fully on display and she brought enormous power, rich colours and perfect intonation to the vocal line. This was highly emotional and yet beautifully restrained singing that really got beneath the skin of the music.”
Seen and Heard International
“Mezzo-soprano Jamie Barton and pianist James Baillieu certainly know how to begin a recital at Wigmore Hall, filling it with the warm, bold sounds of Joaquín Turina's Homenaje a Lope de Vega. Unrestrained, yet without sacrificing beauty of sound...their picks of Brahms Lieder, Dvořák's Gypsy Songs, and sets by Charles Ives and Jean Sibelius all seemed to give Barton the room her voice craves (and suited Baillieu's grounded, symphonic sound at the piano); yet they never missed an opportunity for subtlety. She...conjured up a real world of American warmth, with tight hugs and loud conversations. It's notable that Barton never stepped into the world of opera for this recital - though it would have been a sure hit if she had. It's exciting when a singer has enough tools and expertise at her disposal, and still earns ovations without the slam-dunk of a Verdi aria.”
Schmopera
“American mezzo-soprano Jamie Barton has a wonderful, characterful voice, with apparently effortless and even tone production and control. She seems to be able to spin out a quiet phrase – and just hold it forever. The fascination of witnessing Jamie Barton develop as a singer of the song repertoire promises to be a fascinating journey.”
The Arts Desk
Jamie Barton to Debut at New York Philharmonic, Return to Houston Grand Opera
Recent announcements for the 2016/17 season also include a return to the Toronto Symphony Orchestra and a Wigmore Hall recital debut.
February 3, 2016
In the 2016/17 season, Jamie Barton will make her Wigmore Hall recital debut in London, and return to the Toronto Symphony Orchestra for Mahler's 3rd Symphony.
Barton will also debut with the New York Philharmonic as Fricka in a semi-staged production of Das Rheingold, a role she first sang at Houston Grand Opera.
An alumna of the HGO Studio, Barton will return to Houston in April and May of 2017 for Götterdämmerung, in which she will perform Waltraute and Second Norn alongside Simon O'Neill as Siegfried, Christine Goerke as Brünnhilde, and Andrea Silvestrelli as Hagen.
Photo by Lynn Lane